Transformation of Central European Cities in Historical Development

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Lukáš Šutor (ed.)

The proposed anthology represents for many doctoral students their first entry into the publishing environment of scientific genres. The studies in such cases contain the essence of future dissertation works, which represent the creative pinnacle of doctoral studies. In addition to providing doctoral students with the opportunity to publish scientific outputs, we also consider the anthology a space for interdisciplinary encounters and mutual enrichment. However, interdisciplinarity is not merely a characteristic of the anthology as a whole but also of some studies.

Most notable interdisciplinary approaches are observed in literary studies. The traditional subject of research into artistic texts is enriched in individual studies by examining theatrical and film works (Peter Getlík), linguistic aspects of phrasemes (Ivana Hudiková), musical elements (Terézia Kulíková), visual art (Dominika Petáková), and digital spaces of new media (Alexandra Popovičová). From other disciplines, we highlight Miroslava Süčová Vernarská’s study, which extends psychological research into sociological and linguistically communicative contexts (the concept of metaphor), or conversely, Zuzana Šoltésová and Dušan Šlosár’s contribution, analyzing eating disorders from their disciplinary background in social work.

Both mentioned disciplines also include contributions with traditional research subjects. Nikola Fabiny from psychology analyzes consequence expectations in the context of goal selection and achievement. Jana Plavnická and Dušan Šlosár’s co-authored study from the Department of Social Work presents a multi-perspective analysis of integration barriers for immigrants in Slovakia. Within their own disciplines, both philosophy contributions operate: Juraj Brenišin interprets the ethical aspects of Avicbron’s Fons vitæ, while Michal Kručko examines Edmund Husserl’s unfinished work through a comparative lens of his students Jan Patočka and Roman Ingarden. The anthology concludes with Lukáš Lukačín’s study (written in English), which explores the semantic-grammatical category of modality in the verbs MAY and CAN within legal-administrative documents of the European Union.

The representation of academic disciplines and doctoral students’ individual creative outputs in Doktorandské miscelaneá 4 is thus appropriately diverse. We present this publication to the broader academic community as a representative overview of trends in young scholars’ thinking across the spectrum of humanities and social sciences doctoral programs at the Faculty of Arts, UPJŠ in Košice.

Lukáš Šutor

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Lucia Tóthová

Social work with a group, along with social work with individuals, social work with the community and social work with society, is one of the basic methods used in the field of social work, but also in other helping professions. The work of a social worker requires knowledge of these methods but also of the techniques through which these methods are implemented and fulfilled. Understanding and acquiring individual methods for the needs of social practice requires the theoretical mastery of those institutes that are the basis of the method and the interrelationships between these institutes. Therefore, the author proceeded to elaborate a university textbook in which she focuses on one of the basic methods of social work, namely social work with a group.

The university textbook is designed for university students who are focused on social work studies, but also psychology, ethics and other disciplines using the method of working with a group, as it aims to present some facts about social groups and behaviour in them.

The author offers an insight into social work with the group from its historical foundations to today's latest knowledge of this method in accordance with the latest research of work with the group.

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Róbert Stojka

The aim of the presented monograph is primarily to introduce Patočka's concept of the philosophy of history as comprehensively as possible, although I am aware that this is by no means an easy task. This difficulty arises not only because, as already mentioned, there is currently no extensive and exhaustive work on this topic.

While there is a relatively large number of studies devoted to Patočka's concept of the philosophy of history, none of them, however, examine this concept from a comprehensive perspective as a unified whole – most focus on specific partial issues (and there are many) stemming from this concept. This fact, incidentally, serves as clear evidence to me that this is undoubtedly a highly demanding topic.

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Ivica Hajdučeková

The development of this bilingual coursebook evolved as part of project KEGA Nr. 020UPJŠ-4/2013 headed by prof. PhDr. Ján Gbúr, CSc., and emerged from earlier research which had successfully analysed realist and modernist Slovak literature from a gender perspective. Based on initial interpretations which drew from philosophical, sociological and historiographical approaches, we were able to anticipate the issues which could be raised in other texts and thus establish a hypothesis for the subsequent literaryscientific research. Our research has also been influenced by the continually evolving nature of gender studies, and we have therefore decided to adopt a somewhat unusual approach in this coursebook and briefly examine some contemporary texts thereby creating an intentional shift in our timeline. The modern works of Z.Kepplová and U. Kovalyk have raised a number of interesting issues, and a study of the interwar work of M. Urban reveals further interpretations on the basis of gender. After this brief overview, we return to the main focus of the study: gender approaches to Slovak literature of the late 19th and early 20th centuries.

The study focuses on the complexity of male-female relationships in the work of both male and female authors of realist and modernist literature at the end of the 19th and the beginning of the 20th century. Works by the founding generation of realism and late realism were analysed, with particular attention being paid to the fiction of M. Kukučín, J. Čajak, J. G. Tajovský, J. Jesenský, E. M. Šoltésová, T. Vansová, Ľ. Podjavorinská and B. S. Timrava. The works of H. Gregorová and Ľ. Groeblová were also studied as prime examples of Slovak literary modernism. 

We hope that this bilingual coursebook will allow realist and modernist Slovak fiction, and the Slovak national literary tradition in general, to receive wider critical renown beyond the borders of Slovakia and also to demonstrate its place in contemporary literary theory.

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