Methodological Inspirations in the Research of Literary Science I.

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Maroš Melichárek

The history of the Balkans (not just in the 20th century) and its nations have had an irreplaceable place at the Department of History, Faculty of Arts, UPJŠ in Košice for several years. Therefore, this textbook is a logical culmination of this established trend. It represents the third publication focused on Southeastern Europe, as in 2015 a monograph titled International Relations in the 19th and 20th Centuries I (Nations of Southeastern Europe in International Politics, 1804 – 1856) was published, and in 2020 Nations of Southeastern Europe under International Politics from 1856 to 1913.

Logically then, this publication complements the literature portfolio (both thematically and chronologically) for students interested in this still turbulent region. Previous works are scientific monographs that can also be used during pedagogical processes; however, this work is directly aimed at students and their needs.

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Lukáš Šutor (ed.)

Okrúhle číslo Doktorandských miscelaneí nás vyzýva na krátke bilancovanie. V desiatich zväzkoch zborníka sme uverejnili spolu 116 príspevkov zo siedmich doktorandských študijných odborov. V každom čísle boli zastúpené štúdie z literárnej vedy (v prvých šiestich zväzkoch bol pre interdisciplinárne filologické štúdie používaný názov literárna veda/slovakistika). Z ostatných odborov boli najčastejšie uverejňované texty z filozofie a sociálnej práce, pričom štúdie z filozofie chýbali iba v posledných dvoch zväzkoch a štúdie zo sociálnej práce v prvých dvoch a v siedmom zväzku.

V zborníku sa snažíme udržiavať prvotnú myšlienku, ktorou bolo kultivovať domáci výskumný priestor najmladšej generácie bádateľov v interdisciplinárnom dialógu, čo si vyžaduje dosahovanie medzinárodných štandardov kvality, no na druhej strane aj zachovanie identity zborníka ako jedinečnej domácej publikačnej platformy.

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Ján Sabol

Literary, but especially film production has entered new, so to speak culturally anthropological contexts over the past period. As the technological base of this new art evolved, its position and character changed in the socio-cultural context of human existence and society.

Film and the media world in a broader context are no longer just the domain of art or media disciplines but are entering a wider framework of socio-cultural-anthropological scientific disciplines. Increasingly, people are confronted with a new phenomenon of virtual worlds, virtual dimensions that influence real reality through their actions and thoughts.

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Jaroslav Marcin - Viktória Marcinová a kol.

This little book started out in a way that probably many other scholarly publications do: When the five of us met as doctoral students and instructors in the Department of British and American Studies, we soon realized that our research overlapped on a number of points. Most prominent among those was our interest in political or politicallymotivated discourse and the study of myths and manipulation that it employed. 

In the end, we decided to pool the results of our research together in order to create a more complex picture, providing a variety of perspectives and voices. In our endeavor, we were greatly aided by the financial support we received from a grant offered by the Šafárik University. The outcome of these efforts is the five chapters of this brief, but hopefully informative and insightful monograph.

In Chapter 1, Viktória Marcinová deals with the impact of totalitarian ideology on the translation of so-called “capitalist” drama during the first stage of normalization in Slovakia (1948-1968). In Chapter 2, the focus shifts to political discourse and manipulation in a democracy, as Jaroslav Marcin takes a closer look at the wartime rhetoric of American presidents. USA remains the focus also in Chapter 3, but this time the question, addressed by Martina Martausová, will be one of the myth of the American Dream and its presentation in post-9/11 United States. A similar idea, though in a different geographical-cultural context, is dealt with in Chapter 4, where Božena Velebná identifies myths of Scottish identity as portrayed in historic films. Finally, in Chapter 5, Eduard Soták will take a look at the role of the mass media within the topic of politically-motivated discourse and spread of political ideology.

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