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Beata Gajdošová

It is impossible to be in contact with a person-centered approach and not be influenced by it. Carl Random Rogers was and is still perceived as one of the most influential psychologists of the 20th century (Cook, et al., 2009).

He was the first psychologist to be awarded twice by the American Psychological Association during his lifetime; in 1957 for his contributions to psychotherapy research and in 1973 for distinguished professional contributions. He developed his own psychotherapeutic approach, client-centered therapy, where unlike existing psychotherapeutic approaches, the healing power lies in the relationship between the client and the therapist, not in the applied method.

Rogers and his colleagues were the first to record, transcribe, and publish complete cases of therapeutic conversations and initiated systematic research in the field of psychotherapy. By using the term client instead of patient and seeking sources of change within the person, he created a non-medical model of help as part of the helping professions (Capuzzi, Gross, 2001). The self-theory created by Rogers is a theory that is included in many contemporary psychology texts (Cloninger, 2003; Feist, Feist, 2001; Ryckman, 2004).

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978-80-8152-002-0

Data sheet

Method of publication:
E-book (pdf)
Author:
Beata Gajdošová
Document type:
Course Notes
Number of pages:
105
Available from:
08.02.2013
Year of publication:
2013
Edition:
1st edition
Publication language:
Slovak
Faculty:
Faculty of Arts
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The monograph Maša Haľamová in the triad Dar – červený mak – Smrť tvoju žijem was created as part of the project APVV-19-0244 (Methodological Approaches in Literary Research with an Impact on the Media Environment) in collaboration between Ivica Hajdučeková and Iveta Bónová.

In two parts – Personal History and (Re)interpretation of Maša Haľamová's Poetry, and Phonetic-Rhythmic Embodiment of Maša Haľamová's Poetry – it presents the results of archival research (reconstruction of life events, notes on poetic inspiration, consensus in the opinions of literary critics of the 20th and 21st centuries), (re)interpretations of three poetic collections focusing on the spiritual dimension and the process of spiritualization, and an in-depth analysis of the phonetic-rhythmic qualities of verse structure.

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Doktorandské miscelaneá 5

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Lukáš Šutor (ed.)

The fifth volume of Doctoral Miscellanea was created as a conference proceedings, returning to the original idea of the entire project: to establish a publication space for contributions from emerging scientists.

The first two issues of Doctoral Miscellanea consisted of outputs from departmental seminars, which involved internal discussions. Compared to direct publication, it proved more beneficial for doctoral students to verify their initial research results in multiple stages and present them in diverse ways (reaching more listeners and readers). The length of the texts in the first two issues was adapted to the duration of the presentations, but this practice was slightly disrupted by the omission of seminars in previous issues. In the current issue, the scope of the studies is somewhat more uniform.

An added value of the fifth volume was the meeting of all contributors at a joint conference, the Autumn School for Doctoral Students of the Faculty of Arts at UPJŠ in Košice, which took place on October 17, 2018, and October 18, 2018, in Danišovce.

We believe that this unique experience—often the first for many—of actively presenting at a scientific event could contribute to a better final version of the submitted contributions. At the same time, it allowed doctoral students to broaden their horizons within the humanities and social sciences, at least within the scope of the currently addressed dissertation research.

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Sociálne a politické analýzy 2-2013

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Doktorandské miscelaneá 4

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Lukáš Šutor (ed.)

The proposed anthology represents for many doctoral students their first entry into the publishing environment of scientific genres. The studies in such cases contain the essence of future dissertation works, which represent the creative pinnacle of doctoral studies. In addition to providing doctoral students with the opportunity to publish scientific outputs, we also consider the anthology a space for interdisciplinary encounters and mutual enrichment. However, interdisciplinarity is not merely a characteristic of the anthology as a whole but also of some studies.

Most notable interdisciplinary approaches are observed in literary studies. The traditional subject of research into artistic texts is enriched in individual studies by examining theatrical and film works (Peter Getlík), linguistic aspects of phrasemes (Ivana Hudiková), musical elements (Terézia Kulíková), visual art (Dominika Petáková), and digital spaces of new media (Alexandra Popovičová). From other disciplines, we highlight Miroslava Süčová Vernarská’s study, which extends psychological research into sociological and linguistically communicative contexts (the concept of metaphor), or conversely, Zuzana Šoltésová and Dušan Šlosár’s contribution, analyzing eating disorders from their disciplinary background in social work.

Both mentioned disciplines also include contributions with traditional research subjects. Nikola Fabiny from psychology analyzes consequence expectations in the context of goal selection and achievement. Jana Plavnická and Dušan Šlosár’s co-authored study from the Department of Social Work presents a multi-perspective analysis of integration barriers for immigrants in Slovakia. Within their own disciplines, both philosophy contributions operate: Juraj Brenišin interprets the ethical aspects of Avicbron’s Fons vitæ, while Michal Kručko examines Edmund Husserl’s unfinished work through a comparative lens of his students Jan Patočka and Roman Ingarden. The anthology concludes with Lukáš Lukačín’s study (written in English), which explores the semantic-grammatical category of modality in the verbs MAY and CAN within legal-administrative documents of the European Union.

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Lukáš Šutor

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