Kultúrne dejiny talianskej renesancie: Pojmy, otázky a interpretácie

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Peter Fedorčák

When studying the Renaissance, researchers utilize various critical and core terms and concepts which it is necessary to characterize.

However, many such points, notably the following, are problematic: The relationship between the Renaissance and the antiquity; The connection with the Middle Ages; The transformation to Mannerism and Baroque; Realism and Secularism in Renaissance art; The individualism of the Renaissance artist; The reasons for the creation of Renaissance art in Italy, its determinants and stimulators; Distinguishing between the analysis of the genesis of the Renaissance and the analysis of the creation of the period’s art generally; Regional differences in Italy and their impact on the art; Chronological limits of the Renaissance and its milestones; The terms “Medieval Ages” and “Early Modern Period”; The impact, and its extent, of the artistic influences of the Byzantine, Gothic and Romanesque arts on the Renaissance. The term “Renaissance” itself, its content and existence, are also the subject of the discussion with students, alongside learning how such terms and definitions came about and continue to evolve, how they attain their content, how this content morphs in the historical discourse, what academical pluralism and freedom of thinking look like in the discourse led by historians, what the differences are between scientists and schools of thought on the same subject and how it is possible that they are so numerous.

The students will come to recognize the leading scholars in the field, and follow their arguments and methodological approaches. They shall be invited to closely trace and scrutinize the logic which those historians use in building their argumentation. It shall be seen that the freedom to create terms, concepts and new definitions cannot stand on an ignorance of the (historical) facts, as becomes clear with expanding knowledge of those historical facts, the variability of their interpretation growing in tandem. This approach, actually used across the whole range of seminars and lectures, shall drive discussion on the topics covered, students being invited to formulate their own theses and antitheses.

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978-80-574-0221-3

Data sheet

Method of publication:
E-book (pdf)
Author:
Peter Fedorčák
Document type:
University Textbook
Number of pages:
261
Available from:
24.06.2023
Year of publication:
2023
Edition:
1st edition
Faculty:
Faculty of Arts
License:
Creative Commons BY NC ND (Uveďte autora - Nepoužívajte komerčne - Nespracovávajte)
DOI:
https://doi.org/10.33542/KDTR-0221-3
- Free for download

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Základy metodológie pedagogicko-psychologického výskumu. Sprievodca pre študentov učiteľstva.

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Študentská vedecká a odborná činnosť v študijnom odbore 3.1.14 Sociálna práca

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The second part of the work is dedicated to Nietzsche's concept based on the non-unified nature of human existence, which is not derived from the whole world or overall meaning but from situational meaning. Nietzsche strives to prove that in every situation, human existence is exposed to two opposing perspectives, between which it is impossible to decide which is correct. He concludes that both perspectives are equally valid and mutually conditioned, meaning that the opposite of good, what threatens meaning, is a beneficial condition for situational meaning. He labels this level as immoral, as a sphere where human existence creates meaning outside the thinking of good and evil in opposition.

The conclusion of the work is open because, as it turns out, we do not have a common denominator that could decide on the correctness of one or the other concept. Precisely in this lies the fact that the Socratic question remains a serious philosophical problem even today.

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Negative consequences of performing helping professions II

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Jana NezkusilováMargita Mesárošová (eds.)

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V priestoroch jazyka a literatúry

V priestoroch jazyka a literatúry

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Ivica Hajdučeková (ed.)

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Pohyb ku kognitívnym adaptačným štúdiám. Adaptácia ako hra

Pohyb ku kognitívnym adaptačným štúdiám....

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Peter Getlík

The main goal of the monograph "Moving Towards Cognitive Adaptation Studies: Adaptation as Play" was to orient current research in adaptation studies towards the empirically responsible cognitive branch of non-radical constructivism.

This intention results from the rapid progressive differentiation of adaptation studies research, which has mainly manifested itself in this area in the last two decades. With the model of adaptation as play in a cognitive-scientific perspective, author provides the possibility of predicting the nature (also in a broader sense) of the experience of adaptation. Since the form of this experience significantly shapes the products of the adaptation process into their final form, the model of adaptation as play can be applied even in the interpretation of individual adaptations. In the monograph, the author synthesized the model of adaptation as play based on the knowledge of various disciplines. In the field of cognitive sciences, he saw help from the starting points of philosophy, linguistics, informatics, psychology, anthropology, biology and neuroscience – especially affective neuroscience, which also deals with the emotional dimension of the play.

In the intersection with the essential interdisciplinary components of adaptation research, he also used the knowledge of classical and cognitive variations of literary science, film science (also theatrology) and media studies to a large extent. Consistent with other similar results of cognitive sciences, it turns out that even seemingly serious adaptations, like in many aspects of our culture, have a ludic base.

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Patočka, fenomenológia a dejiny filozofie

Patočka, fenomenológia a dejiny filozofie

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Vladimír Leško - Milovan Ješič - Pavol Tholt

The philosophical work of the most significant Czech philosopher of the 20th century, Jan Patočka (1907–1977), stands out for its unique intellectual originality.

Even at the time of its creation, it significantly transcended the narrow boundaries of the contemporary Czechoslovak spiritual space and uniquely connected our country with the most advanced philosophical teachings of Western thought, in which Husserl's phenomenology and Heidegger's fundamental ontology played a dominant role. Certainly, it would be a great mistake to reduce the decisive position of Patočka's philosophical work merely to the reception and critical-creative elaboration of Husserl's and Heidegger's philosophy.

In this context, we cannot overlook the decisive contribution of Eugen Fink, who introduced Patočka to the intricacies of Husserl's and Heidegger's philosophy. Both thinkers then continued in a lifelong creative philosophical dialogue. However, it is also necessary to mention Patočka's intense interest in the works of Scheler, Ingarden, Landgrebe, as well as Sartre and others.

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