THE FUNCTION OF METAPHOR IN MEDIEVAL NEOPLATONISM

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Adriana Jesenková

The ethics of care offers inspiring ways to think about the relationships and connections we are part of. It provides a new and unconventional reading and understanding of human relationships, thereby enabling us to respond in new and appropriate ways to certain empirical challenges (Pettersen 2011, p. 51).

Just twenty-five years ago, thinking about care was associated with women’s decisions in the private sphere concerning their personal dilemmas and problems. Over the last two decades, advocates of the ethics of care have demonstrated that the ideal of care has the potential to regulate not only private behavior but also human interactions in general.

Today, ideas about care have the power to change how we evaluate personal relationships, professional conduct, public policy, international relations, and global issues. The relevance of the ethics of care in such a wide range of areas of life, many of which are characterized by mutual incompatibilities and conflicting interests, is conditioned by several factors. However, one of the most significant is the creativity and fruitfulness of the thinking of the representatives of the ethics of care, who develop ethical concepts, models, and methods capable of grasping and analyzing human relationships in all their diversity (Pettersen 2011, p. 52).

Compared to traditional ethical concepts and theories in moral philosophy, the ethics of care introduces radically different sets of models and normative concepts. Today, it is precisely feminist ethics of care that offers a critical reflection on care within the realm of moral philosophy, ethics, and social philosophy. The aim of this publication is to identify the concept, subject, approach, philosophical foundations and starting points, as well as the possibilities for applying the ethics of care as a specific moral approach and, at the same time, as a specific moral theory in the field of social science and humanities research.

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Ivica Hajdučeková - Iveta Bónová

https://unibook.upjs.sk/en/filozoficka-fakulta/995-masa-halamova-in-the-dar-cerveny-mak-smrt-tvoju-zijem-triad.html

The first personal monograph, On the Lyrical Triptych of Maša Haľamová (Life and Work), by co-authors Ivica Hajdučeková and Iveta Bónová, presents the results of archival research and analytical-interpretative insights into the structure of poetic texts. Life events at key points (V znamení osmičiek, Domov na brehu jazera, V ruchu redakčnej práce, Fáza po Mladých letách) are reconstructed based on autobiographical memories, archival documents, personal correspondence, as well as unpublished or published articles and interviews. An intriguing perspective on the author´s work is offered by self-referential notes and a reconstruction of opinions on her poetics and the artistic value of her poetry from the years 1928 – 2017, as expressed by contemporary and modern literary critics. The reconstruction of the genesis of the poem Dar (Gift), which relates to her connections with A. Kostolný and E.B. Lukáč, revealed the underpinnings of poetic inspiration and confirmed the productivity of archival research and exegetical methods. The analytical-interpretative insight into lyrical triptych Dar – Červený mak – Smrť tvoju žijem, realized through a spectrum of differentiated spirituality and the method of hermeneutic reading with an emphasis on the function of polyvocality, demonstrated that meta-empirical reality is shaped through natural imagery and the function of allusion. Across the three poetry collections, the lyrical parable and the process of spiritualization or spiritual growth of the lyrical subject are depicted, emblemized by the red poppy, blooming limber pine, and flowering moss. In conjunction with the analysis of the rhythmic-melodic structure of free yet phonetically organized verse – utilizing not only the folkloric inspirations of folk songs and ballads but also the religious tradition of spiritual hymns, prayers, and psalms – which confirmed that the poet´s sense and sensitivity for the „colourfulness“ of sounds and the „melodiousness“ of tones contributed to the architectural formation of the final form. This form is inseparably infused with the meta-empirical dimension of spirituality (eisos – eidos – Logos).

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Soňa Šnircová

This textbook has been designed as supporting material for the postgraduate course on modern trends in European literature. It focuses on the presentation of five modern literary modes of writing: the realistic mode which was brought to its prominence by the nineteenth-century Realist movement; the stream-of-consciousness and ‘absurdist’ modes which were developed in the context of modernism; and the magical realist and metafictional modes which are associated mainly with postmodernist literary trends. Each mode is represented by a well-known text which demonstrates the formal aspects of each mode and deals with the thematic concerns typical of the literary movement that influenced its production.

The textbook adopts an interdisciplinary approach, placing the chosen literary texts into the historical, philosophical and cultural contexts that shaped their characters, and thereby providing the background knowledge necessary for a deeper understanding of their formal and thematic aspects.

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Vladimír Leško, Katarína Mayerová a kol.

Kolektívna monografia Heidegger a metafyzika v 20. storočí je zavŕšením bádateľského úsilia Katedry filozofie a dejín filozofie Filozofickej fakulty UPJŠ v Košiciach v riešení grantového projektu APVV-14-0706. Monografia predstavuje pokus o vyrovnanie sa s uchopením problému Heidegger a metafyzika v kritickej konfrontácii s jeho najvýznamnejšími filozofickými súčasníkmi v chápaní a riešení daného problému. V prvom rade ide o snahu vyrovnať sa s otázkou metafyziky ako filozofického problému vo vlastnej Heideggerovej tvorbe tak, aby čitateľ mal možnosť najprv sa zoznámiť s jeho vlastným riešením tejto otázky v priereze celej jeho tvorby. To skúmajú prvé tri kapitoly našej práce, ktorých autormi sú Vladimír Leško a Richard Capobianco.

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