„Pán doktor, rozumiete po slovensky?“

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Peter Getlík  (ed.)

Methodological Overlaps in Literary Research (15th – 16th April 2024 in Košice)

Proceedings of Extended Abstracts from the International Conference Allusions 2024: Methodological Overlaps in Literary Research (15th – 16th April 2024 in Košice) are being published in the final phase and last year of the APVV-19-0244 project, Methodological Procedures in Literary-Scholarship Research with an Impact on the Media Environment. The collection captures the mutual communication of several related disciplines. The authors of the abstracts present literary, translation, media, cultural, and other methodological approaches in their research on various topics, which are united by the theme of overlapping and connecting disciplines, methods, directions, or even the art works themselves, as hinted at by the playful term "allusions" in the conference title.

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Ivica Hajdučeková

The anthology was created based on the study of archival volumes of Živena preserved in the Slovak National Library in Martin and the selection of material representing samples of texts that reflect the spirit of the times and contribute to the image of the contemporary modern woman.

The selection of articles from 1919 to 1928 uncovers the cultural atmosphere at the beginning of the 20th century when, thanks to emancipation efforts, doors were opening for women into public and professional life. Students from the 3rd and 4th years of the School of Applied Arts in Košice, under the guidance of teachers in photographic design and Slovak language and literature, were involved in preparing the illustrative component of the anthology, whose artistic interpretations are part of the publication. Their contribution meets the criteria for combining science and practice with a focus on popularizing research results.

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Ján Sabol

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Lukáš Šutor (ed.)

The proposed anthology represents for many doctoral students their first entry into the publishing environment of scientific genres. The studies in such cases contain the essence of future dissertation works, which represent the creative pinnacle of doctoral studies. In addition to providing doctoral students with the opportunity to publish scientific outputs, we also consider the anthology a space for interdisciplinary encounters and mutual enrichment. However, interdisciplinarity is not merely a characteristic of the anthology as a whole but also of some studies.

Most notable interdisciplinary approaches are observed in literary studies. The traditional subject of research into artistic texts is enriched in individual studies by examining theatrical and film works (Peter Getlík), linguistic aspects of phrasemes (Ivana Hudiková), musical elements (Terézia Kulíková), visual art (Dominika Petáková), and digital spaces of new media (Alexandra Popovičová). From other disciplines, we highlight Miroslava Süčová Vernarská’s study, which extends psychological research into sociological and linguistically communicative contexts (the concept of metaphor), or conversely, Zuzana Šoltésová and Dušan Šlosár’s contribution, analyzing eating disorders from their disciplinary background in social work.

Both mentioned disciplines also include contributions with traditional research subjects. Nikola Fabiny from psychology analyzes consequence expectations in the context of goal selection and achievement. Jana Plavnická and Dušan Šlosár’s co-authored study from the Department of Social Work presents a multi-perspective analysis of integration barriers for immigrants in Slovakia. Within their own disciplines, both philosophy contributions operate: Juraj Brenišin interprets the ethical aspects of Avicbron’s Fons vitæ, while Michal Kručko examines Edmund Husserl’s unfinished work through a comparative lens of his students Jan Patočka and Roman Ingarden. The anthology concludes with Lukáš Lukačín’s study (written in English), which explores the semantic-grammatical category of modality in the verbs MAY and CAN within legal-administrative documents of the European Union.

The representation of academic disciplines and doctoral students’ individual creative outputs in Doktorandské miscelaneá 4 is thus appropriately diverse. We present this publication to the broader academic community as a representative overview of trends in young scholars’ thinking across the spectrum of humanities and social sciences doctoral programs at the Faculty of Arts, UPJŠ in Košice.

Lukáš Šutor

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Lukáš Šutor (ed.)

The fifth volume of Doctoral Miscellanea was created as a conference proceedings, returning to the original idea of the entire project: to establish a publication space for contributions from emerging scientists.

The first two issues of Doctoral Miscellanea consisted of outputs from departmental seminars, which involved internal discussions. Compared to direct publication, it proved more beneficial for doctoral students to verify their initial research results in multiple stages and present them in diverse ways (reaching more listeners and readers). The length of the texts in the first two issues was adapted to the duration of the presentations, but this practice was slightly disrupted by the omission of seminars in previous issues. In the current issue, the scope of the studies is somewhat more uniform.

An added value of the fifth volume was the meeting of all contributors at a joint conference, the Autumn School for Doctoral Students of the Faculty of Arts at UPJŠ in Košice, which took place on October 17, 2018, and October 18, 2018, in Danišovce.

We believe that this unique experience—often the first for many—of actively presenting at a scientific event could contribute to a better final version of the submitted contributions. At the same time, it allowed doctoral students to broaden their horizons within the humanities and social sciences, at least within the scope of the currently addressed dissertation research.

Lukáš Šutor

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Ivica Hajdučeková - Iveta Bónová

The monograph Maša Haľamová in the triad Dar – červený mak – Smrť tvoju žijem was created as part of the project APVV-19-0244 (Methodological Approaches in Literary Research with an Impact on the Media Environment) in collaboration between Ivica Hajdučeková and Iveta Bónová.

In two parts – Personal History and (Re)interpretation of Maša Haľamová's Poetry, and Phonetic-Rhythmic Embodiment of Maša Haľamová's Poetry – it presents the results of archival research (reconstruction of life events, notes on poetic inspiration, consensus in the opinions of literary critics of the 20th and 21st centuries), (re)interpretations of three poetic collections focusing on the spiritual dimension and the process of spiritualization, and an in-depth analysis of the phonetic-rhythmic qualities of verse structure.

In conclusion, the authors suggest that the Slovak poet Maša Haľamová can be considered a representative of spiritual poetry, which in the Slovak interwar literature follows a specific type of confessional (Protestant) tradition, and at the level of phonetic embodiment, her sound-rhythmic potential acts in the name of subtlety of expression.

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Iveta Bónová

The textbook is addressed to up-and-coming media staffers and teachers of Slovak language, a target group which will be a prospective model for common users in their language behaviour. It poses an educational project that points out to the correlation of standard language and language (primarily orthoepical) norm.

The publication is structured in the way that after the explanation of the given orthoepical problem on the segmenal level (in correspondence with the valid orthoepical norm anchored in Rules of Slovak Orthoepy by Á. Kráľ, 2005, 2009), there follow exercises with an aim to know and practically apply presented norms as standardised acoustic forms. However, considering the natural (not artificial) language and the real (not absolutely ideal) norm, under the exercises we give sociolinguistically oriented topics and tasks for discussion (sometimes also with references to specialist sources) with an aim to draw the listeners’ attention to the current state of live, phonically realised language, or to possible solutions that functionally correspond to the interests and needs of lanugage community and are not in contradiction with internal language rules at the same time.

An explanation of particular orthopeic phenomena on the segmental level is closed not only with exercices and topics for discussion but also with a short test in which students can individually verify their special competences in connection to speech practise.

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Ján Sabol ml., Lena Ivančová (eds.)

Zborník príspevkov z historicko-kulturologickej vedeckej konferencie konanej 7. mája 2024 v Košiciach

Zborník príspevkov z historicko-kulturologickej vedeckej konferencie Slovensko-maďarské vzťahy v čase pokrýva široké spektrum historických, kulturologických, literárnovedných, teatrologických, mediálnych, politických i sociálnych aspektov slovensko-maďarských vzťahov a poskytuje tak hlbší pohľad na ich vnútornú kontinuitu a dynamiku. Jednotlivé vedecké príspevky hodnotia vplyv histórie a vzájomnej koexistencie na divadlo, literatúru, film i ďalšie tvorivé prejavy. Zborník koncepčne vyzdvihuje dôležitosť interdisciplinárneho prístupu k štúdiu slovensko-maďarských vzťahov. Potvrdzuje význam dialógu a tvorivej spolupráce medzi národmi, kolektívmi, jednotlivcami.

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Ivica Hajdučeková

The collection of studies included in the monographic publication Spirituality in the (Re)interpretation of Works of Slovak Literature was created and matured gradually, over the course of more than ten years (2003–2015).

Some of the studies were part of the defended dissertation Compositional and Semantic Specifics of Slovak Interwar Prose (Prešov 2005), others originated within scientific research (grant) projects, but all were refined against the background of specifying selected methodological approaches. The studies were gradually published in academic journals and scientific anthologies both in Slovakia and abroad (precise details are provided in the footnotes as well as in the editorial note).

In the monograph, they are arranged according to the period of their creation, not publication, in order to preserve the genesis of the author’s scientific research profile. Their arrangement also secondarily respects the analytical-interpretative intersections into the poetics of specific texts. This is why the works on Slovak interwar literature are presented first, followed by those focused on the works of Slovak realists.

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Marián Gladiš

The monograph entitled The first Slovak women’s magazines: Dennica, Živena, Slovenská žena (1898–1923) provides a general view of the initial stage of the formation of women’s magazine production in Slovakia, defined by a period of 25 years at the turn of the 19th and 20th centuries between 1898 and 1923, in the context of the historical and social development, to which the Slovak journalistic milieu inevitably responded.

The publication is a result of detailed material research of Slovak historical periodicals, implemented mainly from the perspective of the mediological methods and standards of research work.

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Steven J. Luck

Preklad: Július Zimmermann a Eva Kiktová

Kniha je slovenským prekladom anglickej monografie Stevena J. Lucka An Introduction to Event-Related Potential Technique (2014). Technika potenciálov, ktoré súvisia s udalosťami (ERP), je neinvazívny spôsob skúmania procesov percepcie a kognície ľudského mozgu. Subjekty – skúmané osoby, vnímajú špeciálne navrhnuté formy vizuálnych alebo rečových stimulov. Zo snímanej sústavy EEG signálov sa matematickými metódami extrahujú osobitné ERP signály, pričom sú u nich zaujímavé tri typy rozlišovacích schopností: časové rozlíšenie (latencia), amplitúdové rozlíšenie (magnitúda) a priestorové rozlíšenie (oblasť mozgu), v ktorej sa generujú ERP signály. Latencia a magnitúda signálov sú v tejto metóde unikátne parametre prezentujúce uvedené procesy, priestorové rozlíšenie je v tomto prípade menej dokonalé.

V knihe je výklad celého experimentálneho ERP výskumu: návrh a prevádzka laboratória, dizajn experimentov, akvizícia EEG signálov a korekcia šumov a artefaktov. Nasleduje detekcia ERP signálov: filtrovanie a Fourierova analýza, kvantifikácia amplitúd a latencií, osobitné metódy v časovej aj frekvenčnej doméne a podobne. Nakoniec štatistickou analýzou a interpretačnými metódami sa formulujú dosiahnuté výsledky výskumu. Pre čitateľa sú cenné aj poznatky v kapitole o tom, ako sa píšu štúdie s dobrým kreditným ohodnotením a ako sa takéto štúdie oponujú.

Kniha je cenným zdrojom pre výskumných pracovníkov, pre doktorandov a postdoktorandov, ale aj pre študentov, ktorých zaujala nesmierne zložitá a málo preskúmaná činnosť ľudského mozgu.

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Ivica Hajdučeková et al.  

The four-year grant project VEGA No. 1/0736/15, titled Methodological Approaches to the (Re)Interpretation of Works of Slovak and World Literature (led by Prof. PhDr. Ján Gbúr, CSc.), conducted at the Department of Slovak Studies, Slavonic Philologies, and Communication at the Faculty of Arts, Pavol Jozef Šafárik University in Košice between 2015 and 2018, yielded several outputs during its duration. In addition to individual scientific studies published in journals both domestically and internationally, the project resulted in: A proceedings volume from the international scientific conference Text in Contexts: Text in Interdisciplinary Interpretations (2018). A scientific monograph titled Spirituality in the (Re)Interpretation of Slovak Literary Works (2016). The collaboration culminated in two key complementary publications forming an interconnected whole:

Methodological Inspirations in Literary Research I (a collection of selected lectures and abstracts).

Methodological Inspirations in Literary Research II (a monograph).

An electronic collection of abstracts and video recordings from ongoing lecture colloquia—featuring notable figures from Slovak and Czech academia—and the scientific monograph were conceptually aligned, as evidenced by their shared titles differentiated numerically. This approach adhered to the project's aim of continuing a tradition of precision in literary research while emphasizing methodological pluralism. It also sought to promote contemporary, generationally diverse research within the academic environment of Eastern Slovakia, historically linked to Pavol Jozef Šafárik University in Košice.

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Lukáš Šutor

Vedecká monografia Kozmológia čarodejných príbehov (ľudová rozprávka medzi kultúrou a umením) je pôvodnou prácou syntetizujúcou výskum o kozmologických štruktúrach archaických epických žánrov v interdisciplinárnom dialógu medzi literárnou vedou a kultúrnou antropológiou. Výskumne sa sústredíme najmä na ľudovú čarodejnú rozprávku, ktorá sa vždy dotýka základnej ontologickej problematiky, vytvára modelový a poetizovaný obraz sveta; predstavuje neteistickú formu hrdinskej kozmológie, ukotvenú v gnómickom časopriestorovom rámci. Pri jej výskume kombinujeme synchrónnu systémovú interpretáciu semiotických rovín s diachrónnou analýzou vývoja kultúr. Z nášho výskumu vyplýva, že základné konflikty medzi symbolickými formami čarodejných príbehov, tak ako ich poznáme z folklórneho prostredia, vykryštalizovali v epoche šírenia sa prvých historických národov ako dôsledok konfrontácie odlišných kultúrnych komplexov.

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Renáta Cenková - Lucia Jasinská(eds.)

Proceedings of the International Scientific Conference held on October 23 and 24, 2013 at Pavol Jozef Šafárik University in Košice

The presented proceedings, which are the outcome of the second edition of the international scientific conference "The Twilight of Media," organized by the Department of Mass Media Studies at the Department of Slovak Studies, Slavic Philologies and Communication, Faculty of Arts, Pavol Jozef Šafárik University in Košice, examine current issues in the media landscape from several perspectives.

They offer a representative overview by experts in media from Slovakia and abroad on the current state, primarily of electronic but also partially print media, and on upcoming trends in their development. The proceedings are thematically diverse and address questions from the fields of media, aesthetics, value aspects of media messages, media effects, and, for example, the influence of specific genres and their representative texts on the recipient.

At the same time, they cover the area of current media law as well as ethical standards and requirements placed on the text by its author or other professional media workers.

Editors

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Lukáš Šutor (ed.)

The current sixth volume of the Doctoral Miscellanea consists of eight contributions from four study programs, with two contributions also involving authors outside of doctoral studies. Given the limitations on the length of individual contributions and the uniqueness of the research, the authors have chosen varying widths and depths in presenting their dissertation topics. Some contributions serve as an introduction to the issues, others provide a summary of previous results, and still others focus on a detailed analysis of a specific problem. These three approaches may not only reveal the stage of research in which the doctoral candidate finds themselves but also their potential research priorities.

The main commonality across all issues of the proceedings remains interdisciplinary diversity, which shows a certain continuity. Specific themes appear regularly. In these cases, alongside alternating doctoral candidates, the key figure is the supervisor (in the role of co-author) and their research focus/project in which the doctoral candidates participate. This development of research continuity is particularly evident in contributions from the field of social work.

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