Doktorandské miscelaneá 4

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Lukáš Šutor (ed.)

The proposed anthology represents for many doctoral students their first entry into the publishing environment of scientific genres. The studies in such cases contain the essence of future dissertation works, which represent the creative pinnacle of doctoral studies. In addition to providing doctoral students with the opportunity to publish scientific outputs, we also consider the anthology a space for interdisciplinary encounters and mutual enrichment. However, interdisciplinarity is not merely a characteristic of the anthology as a whole but also of some studies.

Most notable interdisciplinary approaches are observed in literary studies. The traditional subject of research into artistic texts is enriched in individual studies by examining theatrical and film works (Peter Getlík), linguistic aspects of phrasemes (Ivana Hudiková), musical elements (Terézia Kulíková), visual art (Dominika Petáková), and digital spaces of new media (Alexandra Popovičová). From other disciplines, we highlight Miroslava Süčová Vernarská’s study, which extends psychological research into sociological and linguistically communicative contexts (the concept of metaphor), or conversely, Zuzana Šoltésová and Dušan Šlosár’s contribution, analyzing eating disorders from their disciplinary background in social work.

Both mentioned disciplines also include contributions with traditional research subjects. Nikola Fabiny from psychology analyzes consequence expectations in the context of goal selection and achievement. Jana Plavnická and Dušan Šlosár’s co-authored study from the Department of Social Work presents a multi-perspective analysis of integration barriers for immigrants in Slovakia. Within their own disciplines, both philosophy contributions operate: Juraj Brenišin interprets the ethical aspects of Avicbron’s Fons vitæ, while Michal Kručko examines Edmund Husserl’s unfinished work through a comparative lens of his students Jan Patočka and Roman Ingarden. The anthology concludes with Lukáš Lukačín’s study (written in English), which explores the semantic-grammatical category of modality in the verbs MAY and CAN within legal-administrative documents of the European Union.

The representation of academic disciplines and doctoral students’ individual creative outputs in Doktorandské miscelaneá 4 is thus appropriately diverse. We present this publication to the broader academic community as a representative overview of trends in young scholars’ thinking across the spectrum of humanities and social sciences doctoral programs at the Faculty of Arts, UPJŠ in Košice.

Lukáš Šutor

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978-80-8152-611-4

Data sheet

Method of publication:
E-book (pdf)
Editor:
Lukáš Šutor
Document type:
zborník príspevkov
Available from:
25.05.2018
Year of publication:
2018
Edition:
1st edition
Publication language:
slovenčina, angličtina
Faculty:
Faculty of Arts
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Rodová rovnosť na univerzite – kontexty a...

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Adriana Jesenková (ed.)

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Sociálne a politické analýzy 2-2013

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Juraj Schenk et al.

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Eva ŽiakováLucia Tóthová et al.

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Heidegger – Nietzsche (problém interpretácie)

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Štefan Jusko

The stimulus for this monograph was my two studies on Heidegger’s interpretation of Nietzsche’s ideas of the will to power and eternal return of the same, published in Heidegger and Modern Metaphysics (supported by the Slovak Research and Development Agency, APVV-14-0706, under the leadership of V. Leška and M. Sobotka). In the submitted monograph, I present both studies in expanded (particularly “Will to Power as Art”) and refined versions (“Eternal Return of the Same”) and add a third chapter addressing the question of the meaning of interpreting philosophical texts, which themselves are interpretations of other texts.

In seeking an appropriate approach to the meaning of interpretation, I conclude that—generally—the purpose of interpretation is to uncover the productive dimension of the interpreted text, which can only be revealed if the interpreter enters the text openly and as neutrally as possible. If the interpreter does not open themselves to the text, allowing it to interpret them in turn, interpretation remains trapped. I believe that without mutual openness between interpreter and interpreted, interpretation has no meaning and typically becomes either rejection or misinterpretation—a form of violence.

In the third chapter, which I consider foundational, I attempt to “balance” the interpretive context of “Heidegger–Nietzsche” from the first two chapters through a reversible context of “Nietzsche–Heidegger,” albeit with the risk that my interpretation of Nietzsche’s thought—specifically his ideas of eternal return and will to power—may remain subjective, even if unintended as misinterpretation. Ultimately, the ambition of the third chapter is to explore intersections between the two philosophers, one of which—a rudimentary yet significant overlap—I identify as Heidegger’s concept of being-in-the-world, reinterpreted through Nietzsche’s lens. It is Nietzsche who challenges us to adopt a self-defined stance toward the world, to confront what it means to be in the world.

The challenge for me—and perhaps the reader—is to remain faithful to oneself, which is only possible by persisting in the context of mutual interpretation between interpreter and interpreted, regardless of who/what is interpreting or being interpreted. For the context of being-in-the-world is always co-created by both sides.

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