Poznanie, spoločnosť, dejiny. Stretnutie mladých historikov XI.

E-book

Miriama Filčáková (ed.)

Proceedings of the 11th Scientific Conference of Young Historians, organized by the Department of History at the Faculty of Arts, Pavol Jozef Šafárik University in Košice, in cooperation with the Slovak Historical Society at the Slovak Academy of Sciences, on October 19-20, 2021.

Currently, these histories are often presented as an extension of the history of science. The history of knowledge not only expands the boundaries of the history of science but also explores the boundaries between different forms of knowledge and ignorance. Just as studies of historical memory have expanded and complemented their interest in researching forgetting, the history of knowledge includes studies of ignorance. They focus on the change that has occurred over the past decades: from the sacralization of science and respect for professional knowledge to the rejection of science and constant questioning of professional knowledge, to which the history of knowledge must also respond. Findings as a product form the basis of human interactions and have their own past. What was the significance of knowledge and cognition in different historical periods? How did state power influence the development of knowledge and cognition? What can be considered knowledge in a particular historical era or culture? Finally, is there any human activity that cannot be considered knowledge?

Currently, in the field of the history of knowledge, a significant surge in research, publishing, and the emergence of new institutions can be observed. The eleventh doctoral conference—Meeting of Young Historians XI, organized by the Department of History at Pavol Jozef Šafárik University in cooperation with the Slovak Historical Society at the Slovak Academy of Sciences—will contribute to expanding the perspective on the past of knowledge and cognition. The conference, intended for Slovak and foreign doctoral students, aims to provide a space for presenting the latest results of scientific research, professional discussion, establishing contacts, developing cooperation, and exchanging experiences among the broader historical community. The starting point for the conference is a peer-reviewed proceedings volume consisting of publication outputs from active participants.

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978-80-574-0087-5

Data sheet

Method of publication:
E-book (pdf)
Editor:
Miriama Filčáková
Document type:
Proceedings
Number of pages:
164
Available from:
18.03.2022
Year of publication:
2022
Edition:
1st edition
Publication language:
Slovak
Faculty:
Faculty of Arts
License:
Creative Commons BY NC ND (Uveďte autora - Nepoužívajte komerčne - Nespracovávajte)
- Free for download

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https://unibook.upjs.sk/en/filozoficka-fakulta/995-masa-halamova-in-the-dar-cerveny-mak-smrt-tvoju-zijem-triad.html

The first personal monograph, On the Lyrical Triptych of Maša Haľamová (Life and Work), by co-authors Ivica Hajdučeková and Iveta Bónová, presents the results of archival research and analytical-interpretative insights into the structure of poetic texts. Life events at key points (V znamení osmičiek, Domov na brehu jazera, V ruchu redakčnej práce, Fáza po Mladých letách) are reconstructed based on autobiographical memories, archival documents, personal correspondence, as well as unpublished or published articles and interviews. An intriguing perspective on the author´s work is offered by self-referential notes and a reconstruction of opinions on her poetics and the artistic value of her poetry from the years 1928 – 2017, as expressed by contemporary and modern literary critics. The reconstruction of the genesis of the poem Dar (Gift), which relates to her connections with A. Kostolný and E.B. Lukáč, revealed the underpinnings of poetic inspiration and confirmed the productivity of archival research and exegetical methods. The analytical-interpretative insight into lyrical triptych Dar – Červený mak – Smrť tvoju žijem, realized through a spectrum of differentiated spirituality and the method of hermeneutic reading with an emphasis on the function of polyvocality, demonstrated that meta-empirical reality is shaped through natural imagery and the function of allusion. Across the three poetry collections, the lyrical parable and the process of spiritualization or spiritual growth of the lyrical subject are depicted, emblemized by the red poppy, blooming limber pine, and flowering moss. In conjunction with the analysis of the rhythmic-melodic structure of free yet phonetically organized verse – utilizing not only the folkloric inspirations of folk songs and ballads but also the religious tradition of spiritual hymns, prayers, and psalms – which confirmed that the poet´s sense and sensitivity for the „colourfulness“ of sounds and the „melodiousness“ of tones contributed to the architectural formation of the final form. This form is inseparably infused with the meta-empirical dimension of spirituality (eisos – eidos – Logos).

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Essentials of Language Typology

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Lívia Körtvélyessy

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Kultúrne dejiny talianskej renesancie: Pojmy, otázky a interpretácie

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Peter Fedorčák

When studying the Renaissance, researchers utilize various critical and core terms and concepts which it is necessary to characterize.

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The students will come to recognize the leading scholars in the field, and follow their arguments and methodological approaches. They shall be invited to closely trace and scrutinize the logic which those historians use in building their argumentation. It shall be seen that the freedom to create terms, concepts and new definitions cannot stand on an ignorance of the (historical) facts, as becomes clear with expanding knowledge of those historical facts, the variability of their interpretation growing in tandem. This approach, actually used across the whole range of seminars and lectures, shall drive discussion on the topics covered, students being invited to formulate their own theses and antitheses.

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Maša Haľamová in the Dar – Červený mak – Smrť tvoju žijem Triad

Maša Haľamová in the Dar – Červený mak – Smrť...

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Ivica HajdučekováIveta Bónová

The monograph Maša Haľamová in the triad Dar – červený mak – Smrť tvoju žijem was created as part of the project APVV-19-0244 (Methodological Approaches in Literary Research with an Impact on the Media Environment) in collaboration between Ivica Hajdučeková and Iveta Bónová.

In two parts – Personal History and (Re)interpretation of Maša Haľamová's Poetry, and Phonetic-Rhythmic Embodiment of Maša Haľamová's Poetry – it presents the results of archival research (reconstruction of life events, notes on poetic inspiration, consensus in the opinions of literary critics of the 20th and 21st centuries), (re)interpretations of three poetic collections focusing on the spiritual dimension and the process of spiritualization, and an in-depth analysis of the phonetic-rhythmic qualities of verse structure.

In conclusion, the authors suggest that the Slovak poet Maša Haľamová can be considered a representative of spiritual poetry, which in the Slovak interwar literature follows a specific type of confessional (Protestant) tradition, and at the level of phonetic embodiment, her sound-rhythmic potential acts in the name of subtlety of expression.

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