Časopis ŽIVENA v rokoch 1919 – 1928

E-book

Vladimír Leško - Pavol Tholt (eds.)

Proceedings of the Fourth International Philosophical Symposium History of Philosophy as a Philosophical Problem, held on 14-15 October 2010

The Philosophical Proceedings is the final presentation of the results of the work of the research teams of the research projects VEGA 1/0650/08 - Heidegger and the History of Philosophy and VEGA 1/4679/07 - Jan Patočka's Asubjective Phenomenology and the History of Philosophy solved at the Department of Philosophy and the History of Philosophy of the Faculty of Philosophy of the University of Applied Sciences in Košice.

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E-publication

Pavel Štekauer

The book is intended as an introduction to English linguistics for students entering on the study of the English language at Faculties of arts and Pedagogical faculties. It has been written with the purpose of filling the existing gap in the available literature on general linguistics, and in this way to help both students and teachers. However, since the scope of the book surpasses the immediate requirements of an introductory course, it may also be helpful to students within specialized disciplines. In addition, it may be used by undergraduates when preparing for the state-leaving examinations.

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E-journal

Juraj Schenk et al.

The scientific journal Sociálne a politické analýzy (Social and Political Analyses) serves as an interactive electronic platform for communication and the presentation (publication) of experts and their work in the fields of basic and applied research and analyses within sociological, psychological, political, and methodological contexts. It is a medium focused on intensively supporting research activities and analyses within an interdisciplinary framework, facilitating the exchange of experiences, fostering collaboration, and revitalizing the production of scientific work in this area.

The publication section of the journal offers space for works such as:

- Original sociological, psychological, and political studies and analyses in any areas of social life

- Methodological studies

- Research reports

- Studies from qualification theses Research and analysis projects

- Reviews

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E-book

Ivica Hajdučeková - Iveta Bónová

https://unibook.upjs.sk/en/filozoficka-fakulta/995-masa-halamova-in-the-dar-cerveny-mak-smrt-tvoju-zijem-triad.html

The first personal monograph, On the Lyrical Triptych of Maša Haľamová (Life and Work), by co-authors Ivica Hajdučeková and Iveta Bónová, presents the results of archival research and analytical-interpretative insights into the structure of poetic texts. Life events at key points (V znamení osmičiek, Domov na brehu jazera, V ruchu redakčnej práce, Fáza po Mladých letách) are reconstructed based on autobiographical memories, archival documents, personal correspondence, as well as unpublished or published articles and interviews. An intriguing perspective on the author´s work is offered by self-referential notes and a reconstruction of opinions on her poetics and the artistic value of her poetry from the years 1928 – 2017, as expressed by contemporary and modern literary critics. The reconstruction of the genesis of the poem Dar (Gift), which relates to her connections with A. Kostolný and E.B. Lukáč, revealed the underpinnings of poetic inspiration and confirmed the productivity of archival research and exegetical methods. The analytical-interpretative insight into lyrical triptych Dar – Červený mak – Smrť tvoju žijem, realized through a spectrum of differentiated spirituality and the method of hermeneutic reading with an emphasis on the function of polyvocality, demonstrated that meta-empirical reality is shaped through natural imagery and the function of allusion. Across the three poetry collections, the lyrical parable and the process of spiritualization or spiritual growth of the lyrical subject are depicted, emblemized by the red poppy, blooming limber pine, and flowering moss. In conjunction with the analysis of the rhythmic-melodic structure of free yet phonetically organized verse – utilizing not only the folkloric inspirations of folk songs and ballads but also the religious tradition of spiritual hymns, prayers, and psalms – which confirmed that the poet´s sense and sensitivity for the „colourfulness“ of sounds and the „melodiousness“ of tones contributed to the architectural formation of the final form. This form is inseparably infused with the meta-empirical dimension of spirituality (eisos – eidos – Logos).

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