Slovak studies (e-books)

E-book

Lukáš Šutor

Vedecká monografia Kozmológia čarodejných príbehov (ľudová rozprávka medzi kultúrou a umením) je pôvodnou prácou syntetizujúcou výskum o kozmologických štruktúrach archaických epických žánrov v interdisciplinárnom dialógu medzi literárnou vedou a kultúrnou antropológiou. Výskumne sa sústredíme najmä na ľudovú čarodejnú rozprávku, ktorá sa vždy dotýka základnej ontologickej problematiky, vytvára modelový a poetizovaný obraz sveta; predstavuje neteistickú formu hrdinskej kozmológie, ukotvenú v gnómickom časopriestorovom rámci. Pri jej výskume kombinujeme synchrónnu systémovú interpretáciu semiotických rovín s diachrónnou analýzou vývoja kultúr. Z nášho výskumu vyplýva, že základné konflikty medzi symbolickými formami čarodejných príbehov, tak ako ich poznáme z folklórneho prostredia, vykryštalizovali v epoche šírenia sa prvých historických národov ako dôsledok konfrontácie odlišných kultúrnych komplexov.

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Ivica Hajdučeková - Iveta Bónová

https://unibook.upjs.sk/en/filozoficka-fakulta/995-masa-halamova-in-the-dar-cerveny-mak-smrt-tvoju-zijem-triad.html

The first personal monograph, On the Lyrical Triptych of Maša Haľamová (Life and Work), by co-authors Ivica Hajdučeková and Iveta Bónová, presents the results of archival research and analytical-interpretative insights into the structure of poetic texts. Life events at key points (V znamení osmičiek, Domov na brehu jazera, V ruchu redakčnej práce, Fáza po Mladých letách) are reconstructed based on autobiographical memories, archival documents, personal correspondence, as well as unpublished or published articles and interviews. An intriguing perspective on the author´s work is offered by self-referential notes and a reconstruction of opinions on her poetics and the artistic value of her poetry from the years 1928 – 2017, as expressed by contemporary and modern literary critics. The reconstruction of the genesis of the poem Dar (Gift), which relates to her connections with A. Kostolný and E.B. Lukáč, revealed the underpinnings of poetic inspiration and confirmed the productivity of archival research and exegetical methods. The analytical-interpretative insight into lyrical triptych Dar – Červený mak – Smrť tvoju žijem, realized through a spectrum of differentiated spirituality and the method of hermeneutic reading with an emphasis on the function of polyvocality, demonstrated that meta-empirical reality is shaped through natural imagery and the function of allusion. Across the three poetry collections, the lyrical parable and the process of spiritualization or spiritual growth of the lyrical subject are depicted, emblemized by the red poppy, blooming limber pine, and flowering moss. In conjunction with the analysis of the rhythmic-melodic structure of free yet phonetically organized verse – utilizing not only the folkloric inspirations of folk songs and ballads but also the religious tradition of spiritual hymns, prayers, and psalms – which confirmed that the poet´s sense and sensitivity for the „colourfulness“ of sounds and the „melodiousness“ of tones contributed to the architectural formation of the final form. This form is inseparably infused with the meta-empirical dimension of spirituality (eisos – eidos – Logos).

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E-book

Marián Kireš - Renáta Orosová a kol.

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E-book

Peter Getlík  (ed.)

Methodological Overlaps in Literary Research (15th – 16th April 2024 in Košice)

Proceedings of Extended Abstracts from the International Conference Allusions 2024: Methodological Overlaps in Literary Research (15th – 16th April 2024 in Košice) are being published in the final phase and last year of the APVV-19-0244 project, Methodological Procedures in Literary-Scholarship Research with an Impact on the Media Environment. The collection captures the mutual communication of several related disciplines. The authors of the abstracts present literary, translation, media, cultural, and other methodological approaches in their research on various topics, which are united by the theme of overlapping and connecting disciplines, methods, directions, or even the art works themselves, as hinted at by the playful term "allusions" in the conference title.

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Lucia Jasinská

Tradícia organizovania kolokvií na Slovensku už štandardne prináleží vždy inému akademickému slovakistickému pracovisku. Jeho XXXI. ročník sa realizoval pod organizačnou taktovkou Katedry slovakistiky, slovanských filológií a komunikácie Filozofickej fakulty UPJŠ v Košiciach, ako aj košickej pobočky Slovenskej jazykovednej spoločnosti a Slovenskej jazykovednej spoločnosti pri Jazykovednom ústave Ľ. Štúra SAV, v. v.i. V univerzitných priestoroch Učebno-výcvikového zariadenia Danišovce sa počasdvojdňového podujatia stretli nádejní mladí jazykovedci nielen zo Slovenska, ale aj z Českej republiky. Výstupom kolokvia mladých jazykovedcov býva najprv zborník abstraktov, publikovaný už v čase realizovania podujatia, a neskôr zborník príspevkov ako pripomienka tejto udalosti a tiež ako odraz vedeckých záujmov mladých lingvistov. Kolokvialisti prezentovali svoje príspevky venované výskumným problémom z rôznych oblastí jazykovedy, a to z oblasti korpusovej lingvistiky, onomastiky, morfológie, dialektológie, syntaxe, štylistiky, lexikológie, frazeológie aj didaktiky, niektorí dokonca s presahom do literárnych textov.

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E-book

Soňa Šnircová

This textbook has been designed as supporting material for the postgraduate course on modern trends in European literature. It focuses on the presentation of five modern literary modes of writing: the realistic mode which was brought to its prominence by the nineteenth-century Realist movement; the stream-of-consciousness and ‘absurdist’ modes which were developed in the context of modernism; and the magical realist and metafictional modes which are associated mainly with postmodernist literary trends. Each mode is represented by a well-known text which demonstrates the formal aspects of each mode and deals with the thematic concerns typical of the literary movement that influenced its production.

The textbook adopts an interdisciplinary approach, placing the chosen literary texts into the historical, philosophical and cultural contexts that shaped their characters, and thereby providing the background knowledge necessary for a deeper understanding of their formal and thematic aspects.

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E-book

Ivica Hajdučeková

The development of this bilingual coursebook evolved as part of project KEGA Nr. 020UPJŠ-4/2013 headed by prof. PhDr. Ján Gbúr, CSc., and emerged from earlier research which had successfully analysed realist and modernist Slovak literature from a gender perspective. Based on initial interpretations which drew from philosophical, sociological and historiographical approaches, we were able to anticipate the issues which could be raised in other texts and thus establish a hypothesis for the subsequent literaryscientific research. Our research has also been influenced by the continually evolving nature of gender studies, and we have therefore decided to adopt a somewhat unusual approach in this coursebook and briefly examine some contemporary texts thereby creating an intentional shift in our timeline. The modern works of Z.Kepplová and U. Kovalyk have raised a number of interesting issues, and a study of the interwar work of M. Urban reveals further interpretations on the basis of gender. After this brief overview, we return to the main focus of the study: gender approaches to Slovak literature of the late 19th and early 20th centuries.

The study focuses on the complexity of male-female relationships in the work of both male and female authors of realist and modernist literature at the end of the 19th and the beginning of the 20th century. Works by the founding generation of realism and late realism were analysed, with particular attention being paid to the fiction of M. Kukučín, J. Čajak, J. G. Tajovský, J. Jesenský, E. M. Šoltésová, T. Vansová, Ľ. Podjavorinská and B. S. Timrava. The works of H. Gregorová and Ľ. Groeblová were also studied as prime examples of Slovak literary modernism. 

We hope that this bilingual coursebook will allow realist and modernist Slovak fiction, and the Slovak national literary tradition in general, to receive wider critical renown beyond the borders of Slovakia and also to demonstrate its place in contemporary literary theory.

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